California Coast With Fuji GFX50s

We needed some time out of town and Cannon Beach didn’t seem far enough away so we headed to Big Sur and Carmel, California.  I was really looking forward to getting some time with the Fuji GFX50s medium format camera and various lenses along the coast for some hopefully dramatic shots.  To quote Fstoppers:

The best camera isn’t the one with you, it’s your best camera, so make sure that’s the one with you.

So that’s why my A7R2 is in the closet at the moment and I can’t seem to be separated from my GFX50s…

Lens lineup for this trip was as  follows:
Fuji GF 23mm (18mm in 35mm terms)
Contax Zeiss 100-300mm
Contax Zeiss 50mm f1.4
Canon 16-35mm f4

Also brought a fistfull of ND and polarizer filters for the lenses and my Gitzo 0540 tripod.  And my Kipon AF adapter to make the non-native lenses play nice.

In retrospect, I used the 50mm and the 23mm the most.  I really like the rendering and colors of these lenses, and their compact size.  I could have done without the Canon 16-35/4 and might eventually replace it with the Fuji GF 32-64 lens.

Now to some photos from the trip:

Purple Echium Blooms Along the Beach in Carmel - Zeiss 50/1.4 on Fuji GFX50s

Purple Echium Blooms Along the Beach in Carmel – Zeiss 50/1.4 on Fuji GFX50s

The Lone Cyprus Along the 17 Mile Drive in Pebble Beach - GF 23mm lens on Fuji GFX50s

The Lone Cyprus Along the 17 Mile Drive in Pebble Beach – GF 23mm lens on Fuji GFX50s

Bixby Bridge and Highway 1 in Big Sur California - Zeiss 100-300mm on Fuji GFX50s

Bixby Bridge and Highway 1 in Big Sur California – Zeiss 100-300mm on Fuji GFX50s

Big Sur Wave Motion At Point Lobos - Zeiss 100-300mm on Fuji GFX50s

Big Sur Wave Motion At Point Lobos – Zeiss 100-300mm on Fuji GFX50s

Surf Drama and Wildflowers at Point Lobos - Fuji GF23mm on Fuji GFX50s

Surf Drama and Wildflowers at Point Lobos – Fuji GF23mm on Fuji GFX50s

Black and White Cyprus Grove at Point Lobos - Fuji GF23mm on Fuji GFX50s

Black and White Cyprus Grove at Point Lobos – Fuji GF23mm on Fuji GFX50s

Garrapata Coastal Dusk Scene - Fuji GF23mm on Fuji GFX50s

Garrapata Coastal Dusk Scene – Fuji GF23mm on Fuji GFX50s

Calla Lily Soft Light Bokeh - Zeiss 50mm 1.4 on Fuji GFX50s

Calla Lily Soft Light Bokeh – Zeiss 50mm 1.4 on Fuji GFX50s

Flowers Montage Soft Light Bokeh - Zeiss 50mm 1.4 on Fuji GFX50s

Flowers Montage Soft Light Bokeh – Zeiss 50mm 1.4 on Fuji GFX50s

Fuji GFX50s Medium Format Travels to Namibia

I had some work to do in South Africa, so I planned a week of self-driving around Namibia to explore the land and see what my new Fuji GFX50s medium format mirrorless camera could do out in the bush.  It’s hard for me to choose lenses for such a trip so I pretty much brought everything:

pelican case, lens case, travel photography, mavic pro 2 drone

Pelican 1510 case with numerous lenses and a Mavic Pro 2 drone

This was the lineup for this trip:

Fuji GFX50s
Sony a7r2
Canon 200mm f/1.8 and 2x converter
Canon 70-200 2.8 II
Canon 16-35mm f/4 IS
Zeiss 18mm f/3.5
Zeiss 50mm f/1.4
Zeiss 85mm F/1.4 Otus
Mavic Pro 2 drone
Gitzo 0531 tripod with BH25 head

I was able to get some nice shots hiking around Table Mountain and the Signal Hill areas of Cape Town.

Lions Head from Table Mountain Cape Town Fuji GFX50s

Lions Head from Table Mountain Cape Town Fuji GFX50s

Sunset Watchers from Signal Hill Cape Town South Africa GFX50s

Sunset Watchers from Signal Hill Cape Town South Africa GFX50s

Full Moon Over Cape Town Fuji GFX50s

Full Moon Over Cape Town Fuji GFX50s

The Twelve Apostles Table Mountain Cape Town Fuji GFX50s

The Twelve Apostles Table Mountain Cape Town Fuji GFX50s

Work wrapped up after at the end of the week and then I flew to Windhoek Namibia for another 7 days of exploring with the Fuji GFX50s…

 

Various Zeiss Prime Lenses Adapted Onto the Fuji GFX50s

..and one very old Canon prime.

How did this happen?  Well my Sony a7r’s second shutter blew apart during a sunrise timelapse and I found myself looking into another camera body. I was going back and forth considering another a7r2 or even the a7r3.  Looking around, I came across the Fuji.  I’ve always wondered about digital medium format for landscape photography.  I rented one for the weekend and set about adapting my various Canon-mount Zeiss lenses to it.  Adapting lenses onto the GFX50s leads one into the myriad of adapters available with their pluses and minuses.

As we know, renting can lead to buying, and within a week I found myself with an almost new GFX50s.  My initial challenges were figuring out the menu system and dialing in manual focus.  Most of the online tutorials seemed to leave out an implied step or two.  Eventually I got there.  I tried adapters from Fotodiox to Viltrox and eventually settled on the Kipon AF adapter.  I meant to try to the Fringer but ordered the wrong size and by then, I was happy with the Kipon.

I adapted on my Zeiss 85 and 28 Otus lenses, my 135mm f2 ZE lens and even my old Contax 50mm f1.4.  The 28 Otus had the most vignetting.  All lenses performed well. I was especially happy with the AF using my almost 30yo Canon 200mm f1.8 lens.  Much snappier and more accurate than the Sigma MC11 or Metabones IV adapters on my Sony a7r2.

A few photos from my first few days with the camera.  Very impressed with the details and tonality.

Smith Tower Blues Fuji GFX50s and Zeiss 85mm Otus lens

Smith Tower Blues Fuji GFX50s and Zeiss 85mm Otus lens

Seattle Sunset Fuji GFX50s and Contax 50mm lens Handheld Shot

Seattle Sunset Fuji GFX50s and Contax 50mm lens Handheld Shot

My Contemplative Cat Fuji GFX50s and Contax 50mm lens Handheld Shot

My Contemplative Cat Fuji GFX50s and Contax 50mm lens Handheld Shot

Second Beach Sunset Fuji GFX50s and Zeiss 28mm Otus lens Handheld Shot

Second Beach Sunset Fuji GFX50s and Zeiss 28mm Otus lens Handheld Shot

Smith Tower Dusk Fuji GFX50s and Canon 200mm f1.8 lens

Smith Tower Dusk Fuji GFX50s and Canon 200mm f1.8 lens

Back to Iceland: Round the Ring Road Part 5 Fiery Stokksnes Sunrise

Each morning in Iceland you wonder if the weather is going to turn out.  You’ve looked at the weather reports, talked to locals, checked out TPE and Skyfire.  Everything pointed to a good sunrise so off I went at 3am, heading to Stokksnes.

As I was hiking out to the point, the skies became slowly fiery.  I noticed that the storm the day before had cleaned up many of the footprints (bonus).  I got to where I wanted to be and set up both cameras.  Sony a7r and 16-35 on my smaller tripod Gitzo GT0531 and the Zeiss 28mm Otus on my a7r2 handheld.  I got the a7r going with Sony’s Smooth Reflections app and wandered around capturing other shots with the Otus.

I just watched the sunrise unfold, so glad I had gotten out of bed.

Iceland Stokksnes Sunrise Sony a7r Smooth Reflection app

Iceland Stokksnes Sunrise Sony a7r Smooth Reflection app

Iceland Stokksnes Sunrise Sony a7r Smooth Reflection app

Iceland Stokksnes Sunrise Sony a7r Smooth Reflection app 16-35mm Lens

Iceland Stokksnes Sunrise Pano Zeiss 28mm Otus

Iceland Stokksnes Sunrise Pano Zeiss 28mm Otus

 

Back to Iceland: Round the Ring Road Part 3

Much of the story of my trip around Iceland can be told in the rows of images on my screen here as I type.  Time spent in the North.  Time spent in the East Fjords. Much time spent in and around Hofn, and from there to places like Jokulsarlon, the Ice Lagoon, or Stokksnes.  Then back to Hofn each night after sunset.  I had found a nice hotel in the town and craving a shower and solid bed, I stayed there for three nights.

One evening, I came out to find one of my tires flat.  I was irritated but grateful it wasn’t on some side road in the night, raining all around me.  I made some calls and found the local car shop which fixes tires.

Iceland Hofn Tire Repair

Iceland Hofn Tire Repair

Patched up, I visited a place called Stokksnes three time in the next few days.  I got ok weather, awful weather, and lastly amazing weather.  Stokksnes is the place where the landowner charges about 8$usd to visit his land.  Once you see the view from out along the beach, you’d pay almost any price.

Iceland Stokksnes Beach Sunrise

Iceland Stokksnes Beach Sunrise

Later on that morning, heading back to the camper and watching for great reflections in the smooth-as-glass tideflats.

Iceland Stokksnes Sunrise Dramatic Tideflats Reflection

Iceland Stokksnes Sunrise Dramatic Tideflats Reflection

All this while also watching for sunstar opportunities on the black sand dunes.

Iceland Stokksnes Black Sands Dunes Sunstar Sunrise

Iceland Stokksnes Black Sands Dunes Sunstar Sunrise

Iceland Stokksnes Sunrise Wave Spray Zeiss 16-35/4

Iceland Stokksnes Sunrise Wave Spray Zeiss 16-35/4

I had a great first visit to Stokksnes with the light and sunrise.  I knew I would be back on this visit, but didn’t know I would have to go through a weather apocalypse of sorts before I got another amazing sunrise.  Once done here each morning, I would head out east or west for as much good light as I could get.

Iceland Clouds on the Move

Iceland Clouds on the Move

Iceland seems to be a lot about the scenery but also about the wind.  It’s constantly going.  I got in the habit of opening the door, and holding onto it as it opened.  I was happy to have brought quite a bit of Windstopper gear. My camper was my travelling photo taking operation.  This was great not only to have everything you need with you, but also for impromptu napping.

GOCampers Iceland Mobile Photographer and Napping Space

GOCampers Iceland Mobile Photographer and Napping Space

Being based around Hofn, I had to stop in at Pakkhus for my one splurge meal.  Langoustine (lobster), fresh off the boat, baked in butter, garlic and other secret herbs and spices.  I had a nice pint of  a local beer called Wee Heavy, which reminded me of the old Hales Brewing Wee Heavy.

Iceland Pakkhus Hofn Lobster Langoustine Feast beer food travel

Iceland Pakkhus Hofn Lobster Langoustine Feast

Back on the road for more early morning scenery. Sunrise was about 330am, so it made for an early start this time in May.

Iceland Southeast Morning Symmetry

Iceland Southeast Morning Symmetry

More from Hofn here shortly, and then moving west again.

 

Back to Iceland: Round the Ring Road Part 2

One of my highlights of this second trip of mine to Iceland was discovering Seydisfjordur along the Eastern Coast.  I had read about the photogenic Blue Church and decided to head there one morning since I was in the area on the Ring Road.   I descended into the town, nestled into a cozy fjord at sunrise:

Iceland Seydisfjordur at Sunrise

Iceland Seydisfjordur at Sunrise

The town reveals itself as you work your way down winding roads:

Iceland Seydisfjordur Morning

Iceland Seydisfjordur Morning

Iceland Seydisfjordur Blue Church

Iceland Seydisfjordur Blue Church

Morning light was kind to me and I captured the church in a nice reflection.  Sony a7r2 and Zeiss 100-300mm lens.  I also discovered great pizza and coffee in town and had the chance to take a nice nap. I ventured back here later on in my trip for sunset, to discover this is a better sunrise shot.

Navigating the road along the fjords takes time but is one beautiful revelation after another.  In the morning and evening, the birds come out and can be found nestling around the shallow parts of each fjord, or congregating on the meadows.

Iceland EastFjords Snow Capped Peaks Ring Road

Iceland EastFjords Snow Capped Peaks

Icelandic horses are out as well in the calm morning light.

Iceland Horses at Pasture Below Towering Peaks ring road

Iceland Horses at Pasture Below Towering Peaks

At this time of the year, May, there is still a bit of snow around in the East Fjords area.

Iceland Ring Road May Snow Remnants

Iceland Ring Road May Snow Remnants

So at this point, I am heading down the coast to my base at Hofn.  More to come soon.

Three Weeks of Rain in Seattle: Time for a Zion and Bryce Canyon Roadtrip

It’s been raining in Seattle now for a few weeks and I really needed to get out of town.  The weather forecast for Zion and Bryce Canyon was the opposite:  Sun and clear skies for two weeks.  So I flew to Vegas, rented a car and set out into the desert.

I drove first to Bryce Canyon, where I stayed for a night.  Sunrise was brutally cold but beautiful and serene.  It was all I could do to leave that afternoon for my next destination, Zion National Park.

Bryce Canyon Cold Morning at the Lookout

Bryce Canyon Cold Morning at the Lookout

I got quite a few nice shots at Bryce Canyon and one morning hiked down into the Canyon for a different perspective.

Bryce Canyon Sunrise Light CloseupDSC05854

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Bryce Canyon Sunrise Light Closeup Canon 400mm

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Bryce Canyon Sunrise Light Closeup Zeiss 85 Otus

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I had been to Zion before and had a few ideas about compositions for sunrise and sunset.  This time of the year gave me access to Zion Canyon Drive as well, so more choices.  I found many nice compositions out the Drive.

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View of Zion National Park Out Canyon Drive

View of Zion National Park Out Canyon Drive

Each time I drove out of the Drive, the Watchman appeared as I slowed for the turn into Springdale.  I had taken the traditional shot from the bridge many times and was wary of falling back on it.  I noted a trail heading down the river and promised myself I would check it out the following day.

I headed down the trail the next day, realizing I was running out of sunset light but very curious about opportunities for other compositions beyond what everyone was getting back at the bridge.  Eventually I found this shot and came back the next night to set it up.  So glad I did.

The next day, I returned to Vegas and back to Seattle, parka at the ready.